Showing posts with label darcy pattison. Show all posts
Showing posts with label darcy pattison. Show all posts

Wednesday, April 16, 2008

Totally Important Post!



People out and about have been talking about 2k8 classmates! And here's what they're saying...

Brooke Taylor’s Undone is a Top Choice at Flamingnet Book Reviews!

Click on the graphic to read the review:
Flamingnet Top Choice Award Book: UNDONE by Brooke Taylor

Daphne Grab's Alive and Well in Prague, New York received a terrific review at Teens Read Too.

And Kirkus First Fiction Special Issue said wonderful things about M.P. Barker's A Difficult Boy. Here's the abridged version:

"What was the life of an indentured servant but that of a slave? M.P. Barker brings it ringingly, cringingly to life. ..A Difficult Boy hinges on the efforts of two boys—one social, one circumstantially remote, soon to be friends—to escape their brutalized existence. ..Then there is Ivy, a horse that bonds the boys and provides their ticket out.

Couture's Fashionable Reads gave a great review of Regina Scott's La Petite Four.

Last, but not least, Through the Looking Glass Children's Book Review has a very nice write up on us!


Tuesday, April 15, 2008

Day 2: Our Very Own M.P. Barker

And here she is! Our wonderfully talented M.P. Barker!



2k8: So, M.P., yesterday you told us what sparked the idea for A Difficult Boy. Now, we want to know more, more, more. How did the book actually come about?

M.P. Barker: Well, I started doing character sketches and fragments of scenes, and, after a while I had enough of them that a vague semblance of a plot began to emerge. I showed them to some friends who promptly challenged me to write five pages a week until I was finished. About two years later, I had 700 pages—an actual book…well, enough for two or three actual books. Then I spent the next eight years revising and revising and revising and shopping it around, trying to find a publisher.

2k8: M.P. is the Mistress of Revision. See how she works her magic here, on Darcy Pattison's blog.

Okay. Back to A Difficult Boy. Give us the dirt on how it found a publisher.

M.P. Barker: Ummmm….how much time do you have? It’s mostly a story of “nos” that meant “maybe” and “yeses” that meant “no.”

A friend (I have such good friends!) told me about the PEN New England Children’s Book Caucus Discovery Award contest (whew! That’s a mouthful, ain’t it?). “Yeah, right,” I said, “Like I have a chance at that.” But I entered anyway and nearly fell over when I got the call telling me I was one of the winners. The prize? My MS (manuscript) bypassed the slush pile and went directly into the hands of an editor—not a lackey or assistant or intern. (By this time, the MS was down to a mere 500 pages.)

After reading it, the editor said “no” but she’d give it another look if I revised it. I got it down to 350 pages, sent it back, waited and waited and waited and waited. Finally, I got a “yes” that inexplicably turned into a “no” four months later—this was after the MS had languished with this publisher—contractless--for two years. (To be fair, the editor was very helpful, and making her suggested changes improved and shortened the MS greatly, so it wasn’t a total waste of time.)

Once I’d recovered from my semi-suicidal depression, I started kicking myself over how stupid I’d been for not getting an agent while my MS was sitting with publisher #1. If I’d had an agent, s/he could have forced a decision one way or another a lot sooner.

So I resolved not to waste any more time and started sending out at least one query a day until I got an agent. For those of you into statistics, I sent out 137 queries—25% got no answer at all, 62% were rejected (mostly form letters or postcards), 20% requested a partial MS, and 10% asked for a full.

It took me about five months to find my agent, William Reiss of John Hawkins and Associates. He initially said, “No.” (More on that later this week.) I wrote back to ask him if there was anything I could do that might make him reconsider. A week later, he wrote back, said he’d changed his mind, and voila! An agent for moi! It took him about nine months to find me a publisher, another two months negotiating the contract, then about six months to get editorial comments and another six months of revisions before the MS was finalized and off to the printer. Phew! Have I put you to sleep yet?

2k8: Wow! M.P., you are incredibly persistent!


A Difficult Boy is a PEN New England Children's Book Caucus Discovery Award winner.

2k8: Did anything surprise you or catch you off guard when you were writing your book?

M.P. Barker: Hmmm…besides the fact that I actually got an agent and a publisher? I think how strongly the characters just took over. For example, there was this peddler who was supposed to be just sort of a walk-on part. He was supposed to be a young, skinny guy who sees Daniel and Ethan riding their master’s horse and mentions it to someone, which gets the boys in trouble—three or four paragraphs, tops.

When I started writing him, though, he turned out to be this middle-aged, short, dumpy, trollish little guy with an uncanny knack for figuring people out. He ended up challenging Daniel to a horse race, came back later in the book, and re-appears as a major character in the sequel I’m working on now.

Then there was Silas, the eldest son of Ethan and Daniel’s master. He had this sort of stand-offish, brooding attitude that I couldn’t figure out until I got close to the end of the book. Then this whole story about a deep, dark secret from his past poured out, and I felt like I was just taking dictation and wondering “Where the heck did THAT come from?” When it was done, all of a sudden his character made total sense to me.

2k8: Imagine you have an offer from your dream press to publish your dream book, no matter how insane or unmarketable or sane or marketable it might be. What story do you want to write next/someday and why?

M.P. Barker: My first dream book is the one I’m planning to concentrate on once the sequel to A Difficult Boy is finished.

The working title is The Sea Captain’s Daughter, and it’s about the wife and daughter of a sea captain who is lost at sea and how they cope after he’s gone. A very strong-willed female botanist/explorer/botanical illustrator moves in with them and turns their lives upside-down. It’s told in the form of logbooks written by the wife and daughter, which are addressed to the sea captain—a practice they’d started when he was alive, and which they continue after his disappearance.

I’ve only written about 40-50 pages so far, still trying to figure out where the story is going and who these people really are, but this is another one where the characters have taken over. As I’d originally envisioned the story, the mother was supposed to die, leaving the daughter free to go adventuring with the botanist. But like that old guy in Monty Python and the Holy Grail, Iris (the mom) said “I’m not dead yet” and it looks like she’s going to have some interesting adventures of her own.

If I had a publisher with an unlimited budget, I think it would be really cool to incorporate floral borders and plates done in the style of 19th-century botanical illustrations.

My second dream book would be any one that would involve a publisher paying me large amounts of money to travel around the world—especially to places that have good food, warm climates, and nice beaches.

2k8: That's all very fine. As long as you turn it into a field trip and take along the entire class!

M.P. Barker: Sounds fun to me!

2k8: Awwww. And our hardcore question of the day: What question won't most people know to ask you? What's your answer?


M.P. Barker: Would you like some chocolate? Oh, yes, please!

Tuesday, April 8, 2008

Day 2: Let's Really Get to Know Zu Vincent!

Before we start today's interview, Zu Vincent has something to say...

Thank you to my friends at 2K8. It’s fantastic launching The Lucky Place here!



2k8: And, now, onto the interview. Did anything surprise you or catch you off guard when you were writing your book?

Zu Vincent: I was surprised that I could move from writing for adults to writing YA. There’s something incredible happening in young adult literature today. Some wonderful, edgy reads are being brought out under young adult imprints. And as Blake Nelson, author of Paranoid Park said in an NPR interview last week, the genre has exploded and “now everybody wants to come to the party.” So I’m pretty excited to be a part of this. And what’s great and perhaps still a secret is how many adults are being drawn to books on the YA shelves.

2k8: How did The Lucky Place first find a publisher?

Zu Vincent: I wrote The Lucky Place while working at Vermont College on my MFA. It began as a story of a girl with two fathers that I was writing as my creative thesis. The novel sold before I graduated thanks to Carolyn Coman, who passed it on to Front Street. I knew I was taking a chance writing in vignette form, but I was lucky because my wonderful editor, Joy Neaves, loved it and felt it was right for her list.


2k8: What inspired The Lucky Place?

Zu Vincent: This little girl whose father left her at the races when she was three. I wanted to know what happens to her. She thinks it’s her fault because she let go of her dad’s hand, and now she just wants to keep hold of everyone. Her mom and step dad and her brothers. But she can’t. So how does she survive when what she wants most is a happy family and her family keeps crumbling?

Besides, The Lucky Place is a coming of age story and I’ve always loved coming of age stories. I think that time in our lives stays with us out of all proportion to the actual years we live it. We carry so much with us from childhood, even if it was unhappy. Childhood is where we first learn to love, and are first loved, where we first learn how to be in life. Writing is about finding meaning, finding what makes us more human, that was my larger inspiration for The Lucky Place.




2k8: Where do you do most of your writing?

Zu Vincent: Right now it’s in a studio, which is upstairs and full of glass so it feels like you’re in a tree house. A big window looks into the pines where a crazed squirrel does the rumba and drum-beats his branch. Sometimes he leaps over to the last tree that hangs on the edge the canyon.

The canyon is carved from lava rock and split by distant creek, filled with forest and caves and topped by “still active” volcanoes. I think what’s out there beyond the glass is as much my studio as anything.


I like what Joyce Carol Oates says, that “in public, we become public figures. But in private, we ‘become’ the individuals we are.” And for a writer, no place is more private than a studio. No place speaks more about our private selves.




Psst. This just in: Zu Vincent has a great essay on writing revisions over on Darcy Pattison's blog.